Orra Audio, the developer behind a growing lineup of seriously capable mixing and mastering effects, is running a sale right now.
This article rounds up the Orra Audio deals that are live at the moment, along with an overview of every product in the lineup — from core tools such as EQ, compression, reverb and limiting, right through to the plugins you can grab for free.
1. Orra Audio Latest Sale Info
Orra Audio is currently running the following sale.
Orra Filter Release Sale: Until October 8, 2026
- (10/8) Orra Audio “Orra Filter” — a dual filter that drives 8 filter circuits and 6 routing modes from a modulation matrix — $29
2. Orra Audio Product Lineup
Mixing a Whole Track with Orra Audio Alone
From here we run through every Orra Audio product one by one. First, here is the whole lineup at a glance so you can see what each product is and what it does.
| Product | Type | In a nutshell | Free |
|---|---|---|---|
| Orra EQ | 16-band parametric EQ + saturation | EQ and saturation in a single plugin | — |
| Orra Press | Multi-module compressor | Six engines shaping one waveform | — |
| Orra Ducker | Spectral sidechain ducker | Ducks only the colliding bands, not the whole signal | — |
| Orra Space | Reverb & tape delay | Blend five reverbs and a tape delay in parallel | — |
| Orra Cream Limiter | True-peak mastering limiter | Loudness without losing true-peak safety | — |
| Orra Collider | Spectral collision synthesizer | Pro sound design at the push of a button | — |
| Orra Filter | Dual filter & modulation matrix | Eight circuits across two cells, driven by anything | — |
| Orra Tone Zone | Tonal curve correction | Analyse and correct the tone balance of your mix | Yes |
| Orra Pump | Tempo-synced modulation filter | Lock the curve you draw to the beat | Yes |
| Orra Deverb | De-reverb (room removal) | Strip room sound out of recorded tracks | Yes |
| Orra Link 2 | Sidechain sender companion | Name-based sidechain from any track in any DAW. Bundled with every compatible Orra product | Yes |
Orra EQ
A 16-band parametric EQ with per-band dynamic saturation and 17 saturation algorithms. You can EQ one frequency range, saturate another and apply dynamics to a third, all inside a single plugin.
Key features
- 16-band parametric EQ with per-band saturation (17 algorithms)
- Every band processes Stereo, Mid or Side independently
- Snap-to-note, Dynamic Mode and Dynamic Saturation
- Orra Link included
Orra Press
A multi-module serial compressor that stacks six different dynamics engines — VCA, Optical, FET, Multiband, Spectral and Limiter — in series across six reorderable slots inside one window.
Key features
- Six engines: VCA / Optical / FET / Multiband / Spectral / Limiter
- Arranged in series across six slots, reordered instantly with arrow buttons
- The same engine can be stacked in several slots at once
- The bundled sidechain sender plugin “Orra Link” turns any track in your DAW into a sidechain source, across up to 36 channels
Orra Ducker
Unlike a conventional sidechain compressor that pulls the entire signal down, this is a spectral sidechain ducker that only ducks the frequencies actually colliding. It works across roughly 1,000 frequency bins, so you can duck just the low end where kick and bass clash.
Key features
- Ducks only the colliding bands, across roughly 1,000 frequency bins
- Mid/Side ducking supported
- Delta listen to hear only what is being removed
- Track-name-based sidechain via Orra Link 2
Orra Space
A reverb and delay unit carrying five reverbs — Room, Chamber, Plate, Hall and Spring — plus a tape delay with Mono, Stereo, Ping-Pong and Reverse modes. The two engines run in parallel rather than in series, and a single BLEND knob crossfades between them.
Key features
- Five reverbs (Room / Chamber / Plate / Hall / Spring) plus a tape delay (Mono / Stereo / Ping-Pong / Reverse)
- Reverb and delay run in parallel, crossfaded with a single BLEND knob
- X-Feed sends each engine into the other to build new textures
- FREEZE holds the tail indefinitely
- DUCK plus Orra Link 2 ducks the wet signal while keeping the source up front
- V1.1.0 adds track-name-targeted Orra Link 2 ducking and a Reverse mode for the tape delay
Orra Cream Limiter
A true-peak mastering limiter built around a multiband engine. The “Cream” saturation thickens the waveform so you can push loudness without driving the limiter hard.
Key features
- True-peak brickwall limiter with a multiband engine
- “Cream” saturation gains loudness without deep limiting
- “Scout”: analyses a few seconds of your mix and generates a starting point automatically
- “Auto Loudness”: automatically tracks a target LUFS value
- Four styles: Transparent / Punch / Warm / Smash
- EBU R128 compliant loudness readout and BS.1770 true-peak metering
Orra Collider
Orra Audio’s first synthesizer, colliding two sound sources frequency bin by frequency bin inside a spectral collision chamber. Eight collision modes such as Impact, Fuse, Absorb and Fracture decide how the crash behaves, generating harmonics you will not get from a normal synth.
Key features
- Eight collision modes that smash two sources together per frequency bin (Impact, Fuse, Absorb, Fracture and more)
- Pick a category, press a button and a patch is generated for you
- Six bias dials including Drift, Space, Darkness and Aggression steer the direction; lock the sections you like and regenerate the rest
- 12 oscillator types and a 256-frame wavetable engine
- 18 modulation sources, a 9-order arpeggiator and MPE support
Orra Filter
A dual filter carrying eight filter circuits — Moog, SVF, Comb, Formant, Diode, MS-20, Resonator and Spectral — across two cells, combined through six routing modes. At its core sits a modulation matrix that can assign LFOs, envelope followers, sequencers and even other tracks via Orra Link to any cutoff, resonance, drive or morph parameter.
Key features
- Each cell picks from eight circuits (Moog / SVF / Comb / Formant / Diode / MS-20 / Resonator / drawable Spectral), with slopes from 12 to 48 dB
- Six routings: Off / Series / Parallel / Mid-Side / Stereo Split / Morph
- Modulation sources: four LFOs, envelope follower, 16-step sequencer, ADSR, MIDI velocity, input pitch, four macros and other tracks via Orra Link. Sources can modulate other sources
- Three ways to create a route: the MOD MATRIX tab, dragging onto a knob, or the right-click menu
- Extras including DRIVE, key tracking, audio-rate FM, ANALOG, OSC (self-oscillation) and STEREO
- Orra Link 2 included: sidechain up to four tracks by name
- DICE: generates patches from six recipes. 44 factory presets across seven categories, each with usage notes
- A/B/C/D snapshots, undo/redo, 2x/4x oversampling and hover tips in seven languages
Orra Tone Zone (Free)
A free plugin that handles analysis, correction and fine tuning of your mix’s tonal curve in one place. A 40-band spectral analysis compares your mix against professional target curves, and an FFT-based auto-correction EQ moves you toward that target.
Key features
- 40-band spectral analysis compared against professional target curves
- FFT-based automatic correction EQ
- 24 genre target curves plus reference track learning
- Six-band parametric EQ with per-band analog saturation (Tube / VCA / British)
Orra Pump (Free)
A drawable, tempo-synced modulation engine that drives filtering, tremolo and auto-pan from a curve you draw yourself. Drop in control points, draw any shape you like, then run it on a loop, in tempo sync or from a sidechain trigger.
Key features
- Draw any curve with control points and drive it via loop, tempo sync or sidechain trigger
- Six targets: low-pass, high-pass, band-pass and notch filters plus volume and pan
- Stereo and Mid/Side routing, with swing grid support
Orra Deverb (Free)
A free de-reverb plugin that reduces the room sound baked into a recording — both the reverb tail trailing each note and the ambience sitting underneath it. It works on a single mono or stereo track and needs no reference signal. Press “Scout” and it measures the room from the material itself and sets the controls, leaving you to balance the rest by ear. The direct sound keeps its original phase and stereo image; only the level changes.
Key features
- Scout: measures the room from the track and sets Room Decay, Reverb Level and more automatically (if there is not enough usable tail, it changes nothing rather than guessing)
- Eight knobs: Reduction / Room Decay / Reverb Level / Preserve / Focus / Smoothing / Max Reduction / Output
- Removed: monitor only the component being stripped out so you can check you are not overdoing it
- Three displays: spectrum, reduction per frequency, and the tail as it shortens
- Six starting points, A/B comparison and tooltips in seven languages
- Designed as de-reverb rather than noise reduction, so early reflections are preserved
That wraps up the current Orra Audio sale and the full product lineup.